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Topic: Museums

Blog Post
June 8, 2018

Spelman College Museum and MCA Chicago

New Case Studies in Museum Diversity

In an ongoing effort to document the equity, diversity, and inclusion practices of art museums, Ithaka S+R, in partnership with the Mellon Foundation and the Association of Art Museum Directors (AAMD), has published two new case studies. At Fifty, Remodeling for Equity: MCA Chicago studies the operations, collections, programs and audience of the Museum of Contemporary Art Chicago. This museum has undertaken creative strategies to partner board and staff in a horizontal committee intended to address issues of…
Case Study
June 7, 2018

At Fifty, Remodeling for Equity

MCA Chicago

The Museum of Contemporary Art Chicago (MCA Chicago) occupies a premier location in Chicago’s downtown. Situated in the city’s historic Gold Coast, one of the most affluent neighborhoods in the country, the museum is buffered by two public parks, which grant it a view of Lake Michigan.[1] It is the largest contemporary arts museum in the country, with around 140 full-time and 200 part-time staff, and almost 3,000 works in its permanent collection. In 2017, MCA Chicago celebrated…
Case Study
June 7, 2018

Small but Mighty: Spelman College Museum

Spelman College Museum of Fine Art is located on the serene campus of a prominent Historically Black College and University (HBCU) in Atlanta, Georgia. A women’s institution located in the Atlanta University Center, which also includes Clark Atlanta University, Morehouse College, and the Morehouse School of Medicine, Spelman College is ranked as the top HBCU in the nation by U.S. News & World Report.[1] The museum fits neatly within the scope of its host institution; its mission is…
Blog Post
January 23, 2018

Making Strides towards Diversity, Equity, and Inclusion

Examples from Four Art Museums

Over the past three years, Ithaka S+R has conducted three wide-scale analyses of employee diversity in cultural organizations. These have included academic research libraries, the cultural sector in New York City, and American art museums. In all three studies, a common picture has emerged: staff in professional–and especially leadership–roles are more predominately white than is the population more broadly. But, as…
Case Study
January 23, 2018

Reflecting Los Angeles, Decentralized and Global

Los Angeles County Museum of Art

The Los Angeles County Museum of Art is distinguishable from other US encyclopedic museums in three aspects: it is the largest North American art museum west of the Mississippi; it is the youngest encyclopedic museum in the United States; and it is situated in one of the most ethnically diverse metropolises in the world. These characteristics interact in a number of meaningful ways under the museum’s current leadership, allowing its local and global ambitions to complement one another. LACMA is…
Case Study
January 23, 2018

Pipelines and Inroads

The Andy Warhol Museum

Front façade of The Andy Warhol Museum. Photo by Abby Warhola. The Andy Warhol Museum fits within a simple narrative at first glance—the largest single-artist museum in North America devoted to presenting and circulating globally the most complete collection of Warhol’s work. In fact, Andy Warhol’s legacy lends itself to the plurality of narratives and identities embodied in the museum. For many of the museum’s visitors, the seven-story prewar industrial building has become a place of pilgrimage, a destination…
Case Study
January 23, 2018

“I Recommend Dancing”

Brooklyn Museum’s History of Inclusion and Moment of Transition

Brooklyn Museum Façade Photo by Brittney Najar The Brooklyn Museum has pursued a number of unconventional directions to address its community’s current and emerging needs. It practices a contemporary approach to its encyclopedic collection, allowing intersectional feminist theory and critical race theory, for instance, to inform and problematize ancient works. It has opted for accessibility rather than grandeur in its facade. Many Brooklyn residents are introduced to it through its crowded Saturday night parties, rather than its substantial collections of…
Case Study
January 23, 2018

An Engine for Diversity

Studio Museum in Harlem

The Studio Museum in Harlem is a contemporary, culturally specific, artist-centric museum located in New York City that has played a singular role in defining and promoting the art of African Americans and the African diaspora. The museum has contributed substantially in bringing this art into the canon and equally in providing opportunities for African Americans to gain access to the cultural sector, especially for artists and curators. Through its collections, program, and employees, the Studio Museum’s impact has come…
Blog Post
October 5, 2017

Lessons from Save America’s Treasures

New Report Provides Case Studies of 21 SAT Grantees

Every now and again it is useful to take a look at past programs and reflect on what we learned. I had the great pleasure of working on such a project over the last several months. The American Architectural Foundation asked us to assist with an evaluation of the Save America’s Treasures project that was funded by the federal government from 1999-2010 through the National Park Service and its partner agencies, the National Endowment for the Arts, the National Endowment…
Research Report
October 5, 2017

Save America’s Treasures: Impact and Lessons

As part of the National Historic Preservation Fund, Save America’s Treasures awarded nearly 500 grants between 1999 and 2010 through the National Park Service, National Endowment for the Arts, National Endowment for the Humanities, and the Institute of Museum and Library Services to preserve collections that embody the American story. The collections contain major parts of the nation’s artistic, social, and intellectual history.  The impact of these grants has not been assessed in any comprehensive way, and one of the…
Blog Post
April 12, 2017

Forthcoming Case Studies of Eight Art Museums

This month we are very excited to begin qualitative research on inclusion, diversity, and equity issues in eight American art museums. This research builds on a previous study we undertook on behalf of The Andrew W. Mellon Foundation and in consultation with the American Alliance of Museums (AAM), and the Association of Art Museum Directors (AAMD), which found that art museum employees were more racially homogeneous than the U.S. population, especially in professional roles.  Our current research, through the same…
Blog Post
February 22, 2017

Inclusion, Diversity, and Equity in Art Museums

Learning from the Community

How diverse are America’s art museums? In terms of one measure—employee demographics—not very. A 2014 study, funded by The Andrew W. Mellon Foundation and undertaken by Ithaka S+R in partnership with the Association of Art Museum Directors (AAMD), showed that the field is much more homogenous with respect to race and ethnicity than the nation as a whole. While these findings have already…
Blog Post
January 31, 2017

Dataset for DCLA Diversity Survey Available at the National Archive of Data on Arts & Culture

In 2015, Ithaka S+R partnered with New York City’s Department of Cultural Affairs to conduct a survey to measure the demographics of the city’s cultural sector. The report of findings was published in January 2016, and is available on our website. Recently, the data used for this report has been made available in an anonymized form through a new national initiative toward archiving data in the arts. The survey of New York City’s Department of Cultural Affairs grantees…
Blog Post
August 22, 2016

Pokémon Stop or Pokémon Go?

Does Pokémon Go deserve a place in our cultural institutions? The stops and gyms are already there and some institutions have already incorporated the game into their programs so it seems like a good time to pose the question. The new Pokémon Go game is based on the Pokémon Game Boy games that were originally released in 1996 and were followed by playing cards, movies, a variety of media productions, and even a theme park. Played on a smartphone, the…
Blog Post
June 28, 2016

With Support of Third Parties, Aiming for Impact in Diversity Research

Over the past two years, Ithaka S+R has had the opportunity to conduct several projects that study issues of equity, inclusion, and especially representative diversity, in the cultural and academic sectors. A recent piece in the Chronicle of Higher Education raised troubling questions about the diversity efforts at one major university, which it described as stuck in a “perpetual loop: Form a committee in reaction to a crisis, pledge to diversify the faculty,…
Blog Post
May 12, 2016

BRIC Gallery: An Inclusive Space for a Diverse Organization

Earlier this month, Ithaka S+R published a study on the Brooklyn-based arts and media organization, BRIC. We were excited to explore how some of BRIC’s community partnerships have influenced the atmosphere of its space, contributing to the organization’s presence as a leader on issues of diversity, equity, and inclusion in New York City’s cultural sector. BRIC’s gallery is a prominent feature of the organization’s new home, BRIC House. It doubles as both a performance space and a contemporary…
Research Report
May 2, 2016

Diversity and Inclusion in New York City’s Cultural Sector: BRIC

Efforts towards quantifying the diversity in various industries have gained a great deal of attention in the last few years. From the #OscarsSoWhite controversy,[1] to the initiatives towards transparency in Silicon Valley,[2] to the recent benchmark survey in publishing,[3] quantifying diversity has become a central component of highlighting areas in the workforce that are notably homogenous in order to approach diversity initiatives strategically. In the summer of 2015, Ithaka S+R administered a survey to…
Blog Post
January 28, 2016

Looking at Diversity Across Cultural Institutions in New York City

Diversity and inclusion are of substantial importance across our society. In recent years, Ithaka S+R has had the opportunity to conduct research projects on these issues in our cultural communities. Last year, The Andrew W. Mellon Foundation commissioned Ithaka S+R to conduct a large-scale study of the demographic diversity of art museum staff. Today, we release the findings from a similar study of New York City cultural organizations. In this project, funded by the Mertz Gilmore Foundation…
Research Report
January 28, 2016

Diversity in the New York City Department of Cultural Affairs Community

New York City is one of the most diverse cities in the United States at a city level, ranking fourth in the country based on 2010 census data.[1] There are over 1,000 cultural organizations in the five boroughs, each with specific ties to communities, each with vastly different organizational structures and sizes, and each integral to the diversity of culture that defines New York City. Over the summer of 2015 many of these organizations participated in a survey…
Blog Post
July 29, 2015

Diversity in American Art Museums

Over the past  year, Liam Sweeney, Deanna Marcum, and I have been working on a project with Mariët Westermann of The Andrew W. Mellon Foundation to examine the diversity of the staff of America’s art museums. Today, Mellon has published an introduction and overview of the diversity findings of the members of the Association of Art Museum Directors. In this project, we worked closely with the Association and its members to develop a questionnaire about staff diversity.