In the News
October 16, 2023
Colleges Are Filling More Spots with Students Applying Early. Who Benefits? The Rich.
Kirk Carapezza
WGBH
October 5, 2023
A New Study Shows Museum Workers Struggling. We Need to Evolve to Meet the Moment.
Carolina A. Miranda
Los Angeles Times
October 3, 2023
A New CT Law Lets Students with College Debt Get Transcripts. Some Say It Doesn’t Go Far Enough.
Michayla Savitt
Connecticut Public Radio
October 3, 2023
Freeing Stranded Credits, Removing Barriers to Completion
Kathryn Palmer
Inside Higher Ed
September 28, 2023
These New CT Laws That Can Change Your Life Go Into Effect Oct.1
Rich Kirby
The Patch
September 27, 2023
The Edge: Old Debts Keep Millions from Returning to College. Is This the Solution?
Goldie Blumenstyk
The Chronicle of Higher Education
September 22, 2023
Open-Access Books Help University Press Revenues, Study Finds
Lauren Coffey
Inside Higher Ed
September 21, 2023
‘No One Is Losing Out’ in Proposed College Financial Aid Changes, Board Says
Molly Minta
Mississippi Today
September 15, 2023
Tuition Resets Continue Amid Public Skepticism of College’s Value
Kathryn Palmer
Inside Higher Ed
September 8, 2023
Why Does Duke Have So Few Low-Income Students?
David Leonhardt
The New York Times Maagzine
September 7, 2023
Shared Infrastructure and the Recent Downtime at the University of Michigan
Roger C. Schonfeld
Scholarly Kitchen
September 7, 2023
The Top U.S. Colleges With the Greatest Economic Diversity
David Leonhardt and Ashley Wu
The New York Times Magazine
August 29, 2023
University Says It Won’t Charge for Textbooks. Professors Ask How.
Ryan Quinn
Inside Higher Ed
August 21, 2023
Moving On Up: 34 Museum Curators and Arts Leaders Who Took on New Appointments in First Half of 2023
Victoria L. Valentine
Culture Type
August 18, 2023
The Future of Student Loan Forgiveness: What to Know in Michigan
Isabel Lohman and Micah Walker
Bridge Michigan
August 18, 2023
Report Points to the Future of Academic Conferences
Jon Edelman
Diverse Issues in Higher Education
August 11, 2023
Can a White Curator Do Justice to African Art?
Todd Cronan and Charles Palermo
The Nation